Wikipedia Iron Art Copenhagen Denmark and When Iron Art Was Done

Christen Købke, View of Lake Sortedam, 1838. The Danish flag is frequently seen in paintings of this period.

Danish fine art is the visual arts produced in Denmark or by Danish artists. It goes back thousands of years with significant artifacts from the 2nd millennium BC, such every bit the Trundholm sun chariot. For many early on periods, it is usually considered as part of the wider Nordic art of Scandinavia. Fine art from what is today Denmark forms role of the art of the Nordic Bronze Historic period, and then Norse and Viking art. Danish medieval painting is almost entirely known from church frescos such as those from the 16th-century artist known equally the Elmelunde Chief.

The Reformation profoundly disrupted Danish artistic traditions, and left the existing body of painters and sculptors without large markets. The requirements of the court and elite were mainly for portraits, unremarkably by imported artists, and information technology was not until the 18th century that large numbers of Danes were trained in contemporary styles. For an extended period of time thereafter art in Denmark either was imported from Germany and kingdom of the netherlands or Danish artists studied away and produced work that was seldom inspired by Denmark itself. From the late 18th century on, the situation changed radically. Beginning with the Danish Gilt Age, a distinct tradition of Danish art began and has continued to flourish until today. Due to generous art subsidies, contemporary Danish fine art has a big production per capita.

Though commonly non especially a major center for art production or exporter of art, Denmark has been relatively successful in keeping its art; in particular, the relatively mild nature of the Danish Reformation, and the lack of subsequent extensive rebuilding and redecoration of churches, has meant that with other Scandinavian countries, Denmark has unusually rich survivals of medieval church paintings and fittings. One period when Nordic art exerted a strong influence over the rest of northern Europe was in Viking art, and there are many survivals, both in stone monuments left untouched around the countryside, and objects excavated in modern times.

Nordic Bronze Age [edit]

Lurs are a distinctive blazon of giant curving Bronze Historic period horn, of which 35 of the 53 known examples take been found in bogs in Kingdom of denmark, very often in pairs. They are normally made of bronze, and often busy.

A maybe conflicting find in Denmark is the Gundestrup cauldron, a richly decorated argent vessel, thought to date to the 1st century BC.^[1] Information technology was institute in 1891 in a peat bog near the hamlet of Gundestrup in n-eastern Jutland. The silversmithing of the plates is very skilled. Now in the National Museum of Denmark, information technology is the largest known example of European silverish work from the catamenia. The style and workmanship suggest Thracian origin, while the imagery seems Celtic, then it may not reflect local styles.

Norse art [edit]

The Germanic Iron Age period of near 400-800 Advertizing is represented by the Gold Horns of Gallehus, now known just from drawings since they were stolen and melted down in 1802, and significant deposits from weapons sacrifice such equally that at Illerup Ådal, where 15,000 items were found, deposited during the period 200–500.

Danish sites take given their names to 2 of the six chief styles of Viking or Norse art, Jelling style (10th century) and its successor Mammen way (10-11th centuries), though the other styles are besides represented in Denmark. But one Danish ship burial is known, from Ladbyskibet. The images on the runestones at Jelling are probably the best known Danish works of the flow. Although little of their original pigment remains today, copies of the largest stone in the National Museum of Denmark and in the museum at Jelling accept been redecorated in vivid colours based on the fragments of paint which remained on the original.^[2]

Medieval church frescos [edit]

Church wall paintings (Danish: kalkmalerier) are to be institute in some 600 churches across Kingdom of denmark, probably representing the highest concentration of surviving church murals anywhere in the world.^[3] Most of them date back to the Eye Ages. They lay hidden for centuries as later the Reformation in Denmark, they were covered with limewash (Danish: kalk) just to be revealed and restored during the course of the 19th and 20th centuries. Of almost involvement to Danish art are the Gothic paintings from the 15th and 16th centuries equally they were painted in a manner typical of native Danish painters.^[4] Adopting the Biblia pauperum approach, they present many of the near popular stories from the Old and New Testaments in typological juxtapositions.

Renaissance to the 18th century [edit]

Landscape with Northern Lights - Attempt to Paint the Aurora Borealis, 1790s, by Jens Juel.

Danish panel painting and painted wood-etching of the late Heart Ages was more often than not by, or heavily influenced by, the prevailing North German styles, especially those of Hamburg and other Hanseatic cities. At the Protestant Reformation religious painting almost ceased, and for a long period the most notable portraits of the royal family were made by foreign artists, such equally Hans Holbein the Younger's portrait of Christina of Denmark. Albrecht Dürer'due south portrait of her father Christian II of Denmark, painted in Brussels in 1521, has not survived, though portraits of him by other strange artists have.

The establishment of the Royal Danish University of Fine Arts in 1754 followed the full general European pattern, and was intended to develop a national school and reduce the demand to import artists from other countries. Subsequently a period of development its pupils were indeed to lead the creation of a distinct Danish style. Afterwards an architect, the third and 5th Director was Johannes Wiedewelt (1772–1777) and from (1780-1789), a Neoclassical sculptor trained in Italy and France, who had followed his father as court sculptor, and is remembered for his memorials and garden decorations including the monument of King Frederick Five in Roskilde Cathedral and the Naval Monument in Holmens Cemetery. The first painter to lead information technology was the Swedish-built-in Carl Gustaf Pilo (c. 1711 – 1793), a portraitist and history painter in the grand style, and the next Nikolaj Abraham Abildgaard (1743–1809), himself an ex-student, who adult a Neo-Classical style. Leading Danish artists teaching at the Academy included Christian Baronial Lorentzen and Jens Juel, also later Director. Unlike in England, for instance, well-nigh leading Danish artists for at to the lowest degree the side by side century trained at the Academy and often returned to teach in that location, and the tension betwixt bookish art and other styles is much less a characteristic of Danish art history than that of France, England or other countries.

A student of Abildgaard's period at the University was Bertel Thorvaldsen (1770–1844), past far the most famous Danish sculptor, who along with the Italian Canova was recognised across Europe as the leading Neoclassical sculptor. Among his works are the colossal serial of statues of Christ and the twelve Apostles for the rebuilding of Vor Frue Kirke in Copenhagen. Motifs for his works (reliefs, statues, and busts) were drawn generally from Greek mythology, but he also created portraits of important personalities, as in his tomb monument for Pope Pius 7 in St Peter'southward Basilica, Rome. His works tin can be seen in many European countries, but at that place is a very large collection at the Thorvaldsen Museum in Copenhagen. He was based in Rome for many years, and played an of import role in encouraging young Danish artists spending time in the city. Some other important Neoclassicist produced by the University was the painter Asmus Jacob Carstens, whose later career was all spent in Italia or Federal republic of germany.

The establishment in 1775 of the Purple Copenhagen Porcelain Factory was another royal initiative, typical of monarchies in the period, though the business has outlasted the great majority of such factories, and survives today every bit part of a larger group, which also includes the Kosta Glasbruk glass company, founded in 1742 by two army officers, and the Orrefors Glasbruk (founded 1898), all known internationally.

The Golden Age [edit]

Effectually the showtime of the 19th century the Gilded Age of Danish Painting emerged to course a distinct national style for the first time since the Eye Ages; the period lasted until the middle of the 19th century. Information technology has a style cartoon on Dutch Aureate Age painting, particularly its mural painting,^[5] and depicting northern light that is soft simply allows strong contrasts of color. The handling of scenes is typically an idealized version of reality, but unpretentiously so, actualization more realist than is really the case. Interior scenes, often small portrait groups, are also common, with a like handling of apprehensive domestic objects and furniture, frequently of the artist's circle of friends. Trivial Danish art was seen outside the country (indeed it mostly remains there to this day) and the Danish-trained leader of German Romantic painting Caspar David Friedrich was important in spreading its influence in Germany.

A crucial figure was Christoffer Wilhelm Eckersberg, who had studied in Paris with Jacques-Louis David and was farther influenced towards Neo-Classicism by Thorwaldsen. Eckersberg taught at the University from 1818 to 1853, becoming director from 1827 to 1828, and was an important influence on the following generation, in which landscape painting came to the fore.^{[6] [7]} He taught most of the leading artists of the catamenia, including:^[8]

• Wilhelm Bendz (1804–1832), remembered for his many technically achieved portraits of fellow artists such as Ditlev Blunck and Christen Christensen, a scene from the Academy's anatomy class, as well as the group portraits "A Tobacco Party" and "Creative person in the Evening at Finck's Java House in Munich";
• Constantin Hansen (1804–1880), deeply interested in literature and mythology, and inspired by Niels Laurits Høyen, he developed national historical painting based on Norse mythology and painted many portraits, including the historical The Constitutional Assembly (Den grundlovgivende Rigsforsamling);
• Christen Købke (1810–1848), influenced past Niels Laurits Høyen, an art historian who promoted a nationalistic arroyo calling for artists to search for subject matter in the folk life of their state instead of searching for themes in other countries such as Italia;
• Wilhelm Marstrand (1810–1873), a vastly productive artist who mastered a remarkable variety of genres, remembered especially for a number of his works which have become familiar signposts of Danish history and culture: scenes from the drawing-rooms and streets of Copenhagen during his younger days; the festivity and public life captured in Rome; the many representative portraits of citizens and innovators; even the monumentalist commissions for universities and the monarchy;
• Martinus Rørbye (1803–1848), remembered for his genre paintings of Copenhagen, for his landscapes and for his architectural paintings, as well equally for the many sketches he made during his travels to countries rarely explored at the time.

Amidst other artists, C.A. Jensen (1792–1870) specialized about exclusively in portraits.

At the cease of the period painting way, particularly in landscape art, became defenseless up in the political outcome of the Schleswig-Holstein Question, a vital matter for Danes, but notoriously impenetrable for nearly others in Europe.

Later 19th century [edit]

Danish painting continued many of the characteristics of the Golden Age, simply gradually moved closer to styles of the rest of Europe, specially Deutschland. Artists include:

• Jørgen Roed (1808–1888), who painted many portraits likewise as a number of altarpieces and religious paintings, including Jesu Korsfæstelse (Crucifixion of Jesus) for the restored church at Frederiksborg Palace;

• Johan Lundbye (1818–1848), remembered for his fauna paintings and landscapes, specially those of Sealand including the big Kystparti ved Isefjord (Coast View past Isefjord);
• P.C. Skovgaard (1817–1875), primarily known for his landscape paintings, for the special role he played in portraying Denmark'southward nature, helping to develop a unique Danish art class, and his growing interest in portraying temper and light.

Elisabeth Jerichau-Baumann (1819–1881) was built-in in Żoliborz (Jolibord) a borough of Warsaw only moved to Kingdom of denmark when she married Danish sculptor Jens Adolf Jerichau in 1846. She is best known for her portraits and was commissioned by the Danish Royal Family to paint their portraits to the annoyance and jealousy of local artists. The balmy eroticism of a few of her paintings was looked upon unfavourably by many at the time simply she remained aloof, perhaps reassured past the fact that some of her husband's sculptures were erotic in nature.^[9]

Carl Heinrich Bloch (1834–1890) was a rare Danish history painter, mostly of Biblical subjects, who developed his academic style in Italian republic before returning to Copenhagen in 1866. He was deputed to produce 23 paintings for the Chapel at Frederiksborg Palace consisting of scenes from the life of Christ which have become very pop as illustrations. For over 40 years the Church of Jesus Christ of Latter-twenty-four hours Saints has made much use of Carl Bloch'due south paintings, especially those from the Frederiksborg Palace collection, in its church buildings and printed media.

Edvard Eriksen (1876–1959) is best known every bit the sculptor of the bronze Footling Mermaid statue in Copenhagen. Based on the story by Hans Christian Andersen, he completed the work in 1913.^[x]

The Skagen and Funen movements [edit]

In 1871, Holger Drachmann (1846–1908) and Karl Madsen (1855–1938) visited Skagen in the far due north of Jutland where they quickly built upwards one of Scandinavia's most successful artists' colonies. They were presently joined by P.S. Krøyer (1851–1909), Carl Locher (1851–1915), Laurits Tuxen (1853–1927), the Norwegian Christian Skredsvig (1854–1924) and Michael (1849–1927) and Anna Ancher (1859–1935). All participated in painting the natural environment and local people. The symbolist Jens Ferdinand Willumsen (1863–1958) as well visited the Skagen community.^[11]

A piffling later, at the very beginning of the 20th century, a similar phenomenon developed on the island of Funen with the encouragement of Johannes Larsen (1867–1961) and the inspiration of Theodor Philipsen. Fynboerne or the Funen Painters included: Peter Hansen, Fritz Syberg, Jens Birkholm, Karl Schou, Harald Giersing, Anna Syberg, Christine Swane and Alhed Larsen.

Modernism and expressionism [edit]

Vilhelm Hammershøi: Interior with Swain Reading, 1898

Theodor Philipsen (1840–1920) through his personal contact with Paul Gauguin became the sole Danish impressionist of his generation.^[12]

L. A. Ring (1854–1933), famous for his involvement in Danish symbolism, specialised in paintings of hamlet life and landscapes in the south of Zealand.^[13]

Paul Gustave Fischer (1860–1934) was a romantic impressionistic painter specialising in metropolis street scenes and bright bathing compositions.

Vilhelm Hammershøi (1864–1916) was considered something of an enigma in his lifetime but is now remembered mainly for his subdued paintings of interiors, ordinarily empty spaces (as in Dust Motes Dancing in Sunbeams) only occasionally with a solitary figure.^[14]

Harald Giersing: Fodboldspillere. Sofus header (Soccer players. Sofus heads), 1917

Danish expressionist landscape painting developed between the world wars with Jens Søndergaard and Oluf Høst as its principal representatives. In parallel, younger artists such as Niels Lergaard, Lauritz Hartz and Karl Bovin adopted the light French colours and ceremonial of modernism, founding the Corner grouping of artists in 1932. Around the same time, Edvard Weie, the Swedish artist Karl Isakson, Olaf Rude, Kræsten Iversen, Oluf Høst and Niels Lergaard were attracted by the natural beauty of the Baltic islands of Bornholm and the much smaller Christiansø. Together they initiated the then-called Bornholm Schoolhouse providing the footing of the permanent exhibition at the Bornholm Fine art Museum near Gudhjem. Painters of nature and everyday life such as Erik Hoppe and Knud Agger initiated the highly successful Grønningen clan which provided a platform for exhibitions in Copenhagen.^[15]

Sigurd Swane (1879–1973) was initially influenced by the work of the Fauves in Paris when he began a series of paintings of woodlands rich in greens, yellows and blues. He later painted a number of lite-filled landscapes while living on a subcontract in Odsherred in north-western Zealand.^[16]

Harald Giersing (1881–1927) was instrumental in developing the classic modernism movement in Denmark around 1910–1920.^[17]

Vilhelm Lundstrøm (1893–1950), 1 of the greatest modernists, brought French cubism to Kingdom of denmark. He is remembered for his still-life paintings with oranges and for cubistic scenes with nudes. His afterwards work developed into much looser modern art with contrasting colours and form.^[18]

Richard Mortensen (1910–1993) was an important surrealistic painter, inspired by Wassily Kandinsky. He was a joint founder of the "Linien" group of artists and also a member of the Grønningen group. His later expressionist works exhibit large, clear, brightly coloured surfaces.^[19]

Asger Jorn (1914–1973) was a Danish artist, sculptor, writer and ceramist. Looking for inspiration exterior Denmark, he traveled widely. Later on meeting artists such every bit Abiding Nieuwenhuys, Appel and Dotremont, he became the driving strength behind the Cobra grouping where he excelled in ceramics but too continued to paint in oils.^[xx]

Danish design became of international importance in the decades after World War II, especially in article of furniture, where information technology pioneered a way sometimes known equally Danish modern. The mode is a precursor of the general Scandinavian Design style later popularized and mass-produced by IKEA for example. Of import designers in Danish mod include Finn Juhl (1912–1989), Hans Wegner (1914–2007) and Arne Jacobsen (1902–1971).

Gimmicky fine art [edit]

Collections of modern art bask unusually attractive settings at the Louisiana Museum north of Copenhagen and at the Due north Jutland Art Museum in Aalborg. The National Museum of Art and the Glyptotek, both in Copenhagen, incorporate treasures of Danish and international fine art.

• Richard Winther (1926–2007) a talented Danish artist, started his long career in the arts aged 10. He worked on themes exploring mediums such equally painting, photography, and ceramics. He is considered as one of the founders of the Linien Two motion, part of concrete art at the time. Several^{[ who? ]} known artists today take been profoundly influenced by Richard Winther. Many of his paintings were washed on canvas and masonite, but in an endeavor to simplify his art he not just macerated the number of colors he used but also switched to pigment on cardboard. He was non shy almost revisiting a theme and many years later amended some of his works. Also several of his works are presented on both sides of the same cardboard. He used photographic cameras to compose art and when he was non satisfied with the capabilities of the machines, he started making his ain designs. He is known for his 360-caste cameras, instruments which are objects of art in themselves. Among the many prizes he was awarded, were the Eckersberg Medal (1971), Thorvaldsen Medal (1997) and the Prince Eugen Medal.
• Per Kirkeby (born 1938) has produced an impressive body of neo-expressionistic artwork on masonite, canvas, blackboards and paper besides as various sculptures and even architecture. Initially interested in pop fine art, his colourful paintings take been exhibited widely, most recently at the Tate Modernistic in London.^[21] Educated as a geologist, his involvement in terrain and nature in general is however in evidence in his painting.^[22]
• Merete Barker (born 1944) uses sketches and photographs from her many travels as the ground for highly expressive paintings where it is often difficult to distinguish betwixt nature and culture.^[23]
• Elmgreen and Dragset take worked together since 1995 producing piece of work which explores the relationship between fine art, architecture and blueprint.^[24] Michael Elmgreen (born 1961), a Dane, and Ingar Dragset (born 1968), a Norwegian draw on institutional critique, social politics, operation and architecture, reconfiguring everyday objects and situations with wit and destructive sense of humour.^[25]
• Tal R, born in State of israel in 1967, produces wild and colourful paintings, combining shapes and imagery with a reduced palette consisting of black, white, pink, greenish, ruby-red, yellow and brown.^[26] Inspired by everything from the Holocaust to children's comic books, his widely exhibited work builds on the old tradition of autonomy and expression.^[27]
• Olafur Eliasson (born 1967) has attracted broad involvement in his public infinite exhibitions such as the New York City Waterfalls (2008), the Weather Project at London's Tate Mod gallery in 2003 and the Take Your Time showroom at MoMA in New York (2008).^{[28] [29]}
• Jeppe Hein (born 1974) produces interactive fine art works or installations, often activated by the spectator. Among these are his Shaking Cube (2004), Moving Benches (2000), The Curve (2007) and his Space in Action / Activeness in Space (2002) exhibited at the 2003 Venice Biennale. He is now working on a major exhibit for the Danish pavilion at Expo 2010 in Shanghai.^{[thirty] [31]}
• Jens Galschiøt (built-in 1954) political sculptor, often highlighting violation of human being rights through his art. He has made many happenings worldwide, including my inner creature in Austria, Belgium, Switzerland, Sweden, France, Norway, Italy, Holand, Spain,^[32] and in 1997 the Colonnade of Shame in China,^[33] Mexico, Brazil.

Margrethe Ii'southward tapestries [edit]

On the occasion of her 50th altogether in 1990, Queen Margrethe 2 decided to utilise a gift from industry of 13 million Danish crowns to produce a series of tapestries tracing the history of Denmark from the ancestry to the present day. Woven past the historic Manufacture des Gobelins in Paris, the tapestries were based on total-sized sketches by the versatile Danish creative person Bjørn Nørgaard.^[34] Completed in 1999, they now hang in the Great Hall at Christiansborg Palace

Architecture [edit]

Post-obit in the footsteps of Arne Jacobsen, Denmark has had some outstanding successes in contemporary architecture. Johann Otto von Spreckelsen, relying on simple geometrical figures, designed the Grande Arche at La Défense in Puteaux, nearly Paris. Prolific Henning Larsen designed the Foreign Ministry edifice in Riyadh, besides as a variety of prestige buildings throughout Scandinavia, including the recently completed Copenhagen Opera Business firm.^[35] Jørn Utzon's iconic Sydney Opera House earned him the distinction of becoming only the second person to have his work recognized every bit a World Heritage Site while notwithstanding live.^[36] Bjarke Ingels whom the Wall Street Periodical in October 2011 named the Innovator of the Year for compages and, in July 2012, cited him as "speedily becoming one of the design world's rising stars" in calorie-free of his all-encompassing international projects.

• 

  Überseering 12 in Hamburg (Arne Jacobsen, 1969).

• 

  Sydney Opera House (Jørn Utzon, 1973). Danish architects have been engaged beyond the world.

• 

  Virklund Church building in Silkeborg (Inger and Johannes Exner, 1994). Brick is a prominent material in Danish compages.

• 

  Copenhagen Opera House (Henning Larsen, 2004)

• 

  Bispebjerg Bakke in Copenhagen (2006). A postmodern building designed in collaboration with artist Bjørn Nørgaard.

Museums [edit]

The about significant museums for Danish fine art are:

In Copenhagen:

• Statens Museum for Kunst
• Ny Carlsberg Glyptotek
• The Hirschsprung Collection
• Danish Museum of Fine art & Design, mainly modern blueprint

Elsewhere:

• ARoS Aarhus Kunstmuseum
• Louisiana Museum of Modern Fine art
• KUNSTEN Museum of Modern Art Aalborg
• Funen's Art Museum, Odense
• Museum Jorn, Silkeborg

and others in Category:Art museums and galleries in Denmark.

Encounter also [edit]

• Architecture of Denmark
• Culture of Denmark
• Danish sculpture
• Listing of Danish painters
• Photography of Denmark

Notes [edit]

1. ^ Encyclopædia Britannica
2. ^ Jellingstenen - en del af historiekanonen. From EMU.dk. Archived 16 Nov 2009 at the Wayback Machine In Danish. Retrieved 26 October 2009.
3. ^ Kalkmalerier i de danske landsbykirker from VisitDenmark Archived nineteen July 2011 at the Wayback Machine. In Danish. Retrieved 15 Baronial 2009.
4. ^ Wall Paintings in Danish Churches from Panoramas.dk Archived 28 Nov 2009 at the Wayback Auto. Retrieved 12 August 2009.
5. ^ Dutch paintings, and landscapes, dominated in the 18th century Danish collections that we take records of. North, 308-9 [1]
6. ^ Christoffer Wilhelm Eckersberg. From National Gallery of Art. Archived 8 Apr 2010 at the Wayback Machine Retrieved 3 November 2009.
7. ^ Boime, 504-5
8. ^ Visual Arts from Danish Ministry of Foreign Diplomacy. Retrieved 3 November 2009.
9. ^ Albert Ellery Berg, (1884), The Drama, Painting, Poesy, and Vocal, P.F. Collier, New York. digitized past Google.
10. ^ Edvard Christian Johannes Eriksen. From Gravsted.dk. In Danish. Retrieved 27 October 2009.
11. ^ Art Encyclopedia: Skagen. Retrieved 9 December 2008.
12. ^ Visual Arts from Danish Ministry building of Foreign Affairs. Retrieved 7 December 2008. Archived x March 2010 at the Wayback Automobile
13. ^ LAURITS ANDERSEN Ring from ArtScandinavia.dk. Retrieved 7 December 2008. Archived 19 May 2008 at the Wayback Machine
14. ^ The weird soul of Danish painting from City A.M. Retrieved half-dozen Dec 2008.
15. ^ Expressionism from denmark.dk. Retrieved 9 Dec 2008. Archived 3 March 2016 at the Wayback Machine
16. ^ Art Encyclopedia: Sigurd Swane. Retrieved 7 Dec 2008.
17. ^ Harald Giersing. Retrieved 7 December 2008.
18. ^ Lundström from Obro Art Gallery biographies. Retrieved 7 December 2008.
19. ^ Richard Mortensen Biography from serdar-hizli-fine art.com. Retrieved 9 December 2008.
20. ^ Asger Jorn from CoBrA Art. Retrieved seven Dec 2008. ^{[ dead link ]}
21. ^ "Per Kirkeby exhibition", Tate Modern Archived 25 May 2009 at the Wayback Car. Retrieved 4 March 2010.
22. ^ "Per Kirkeby", Galleri Bo Bjerggaard Archived 17 September 2009 at the Wayback Machine. Retrieved 4 March 2010.
23. ^ Carnegie Fine art Honour 2000. Merete Barker. Retrieved 7 Dec 2008. Archived 28 October 2007 at the Wayback Machine
24. ^ "Elmgreen & Dragset", Frieze Foundation Archived 4 October 2009 at the Wayback Machine. Retrieved 4 March 2010.
25. ^ "Elmgreen & Dragset", Vitoria Miro. Archived xix July 2011 at the Wayback Machine Retrieved 4 March 2010.
26. ^ ""Tal R: The Sum", Camden Arts Gallery". Archived from the original on 28 September 2011. Retrieved 4 March 2010.
27. ^ Patricia Ellis, "About Tal R and his art", Saatchi online. Retrieved 4 March 2010.
28. ^ Take Your Time. Olafur Eliasson. From MoMA Archived seven December 2012 at the Wayback Machine. Retrieved 27 January 2010.
29. ^ Works at Olafur Eliasson Archived 17 December 2009 at the Wayback Machine. Retrieved 27 January 2010.
30. ^ "Exhibition of Interactive Work by Creative person Jeppe Hein Announced in Indianapolis", Artdaily.org. Retrieved 4 March 2010.
31. ^ "Jeppe Hein: The Bend", The Barbican. Retrieved 4 March 2010.
32. ^ "jens galschiøt:my inner beast", aidoh.dk.
33. ^ "jens galschiøt: The color orange ", thecolororange.net.
34. ^ Tapestries for the Queen of Denmark. From Bjørn Nørgaard's website. Archived 5 January 2009 at the Wayback Machine Retrieved 5 November 2009.
35. ^ Henning Larsen from Den Store Danske. In Danish. Retrieved 5 November 2009.
36. ^ Kathy Marks (27 June 2007). "World Heritage honor for 'daring' Sydney Opera House". The Independent. Independent News & Media. Archived from the original on 8 January 2010. Retrieved 14 September 2009.

References [edit]

• Boime, Albert; Fine art in an age of civil struggle, 1848–1871, Volume four of Social history of modern art, Academy of Chicago Press, 2008, ISBN 0-226-06328-three, ISBN 978-0-226-06328-seven. Google books
• North, Michael; The Transfer and Reception of Dutch Fine art in the Baltic Area during the Eighteenth Century: The Case of the Hamburg Dealer Gerhard Morrell, in In His Milieu; Essays on Netherlandish Fine art in Memory of John Michael Montias, ed. Amy Golahny, Mia Mochizuki, and Lisa Vergara, Amsterdam University Press, 2007, ISBN 978-xc-5356-933-7

External links [edit]

• Danish Artists from ArtCyclopedia.
• Danish-French avantgarde fine art 1945–1980

camaraporninexpent.blogspot.com

Source: https://en.wikipedia.org/wiki/Danish_art

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